![]() In this example, the tempo is 100 beats per minute.Įach line represents a string. ![]() This is the tempo of the tune in beats per minute and you’ll see that on the first page of each of my tabs. Hawaiian Roots, Retunings and the Pedal Prodigal Grandchild( A Primer of Hawaiian Style Licks B Minor Tuning Modal Tuning G add 2 or G9 Tuning G6 Tuning Mike Auldridge's Eight String Swing Pedal Steel Licks Transferred to Resonator Guitar.In this article, I’m gonna be showing you how to read dobro tablature or any of my tabs for a 6-string lap-style type instrument (weissenborn, lap steel…).Ĭlick here to access the following tabs informations: ![]() The Sweet and the Simple/Scalar Manipulation and the Melodic Line( Go Tell Aunt Rhodie I Never Will Marry Tennessee Waltz Mike Auldridge Style House of the Rising Sun)īlues, Boogie and Acoustic Rock (Frankie and Johnnie Blues Pentatonic Solos Albert King Style Solos Bottleneck Guitar Style Solo Backing Up a Vocalist Rhythm Grooves Eric Clapton Style Blues Solo)īluegrass and Open String Licks (Aunt Rhodie Bluegrass Style Bluegrass Breakdown Licks Roll in My Sweet Baby's Arms Dark Hollow Over the Waterfall Buck Graves Style Solos Don't Let Your Deal Go Down)Ī Resonator Guitar Approaches Jazz (Aunt Rhodie Swing Style Corrine, Corrina Swing Blues Bring It on Down to My House II-V-I Jazz Licks Modern Jazz Blues Leon McAuliffe Style Swing Blues Bob Dunn Style Solos Shine on Harvest Moon Deep Elm Swing Comping) Play-along tracks are included for several of the tunes.Ī Survey of Techniques for Resonator Guitarists (String Damping Hammering On Pulling Off Forward Slants Reverse Slants Harmonics Pulling the Strings Some Bar Control Exercises Vibrato Fingering)Įlements of Variation and Improvisation for Resonator Guitarists (Position Playing Playing in First Position Nuances of Sliding and Approaching a Note Thinking Chordally A Sampling of 3 Note Chords The Problem of Major Second Intervals and Chromatic Licks in G Tuning Rhythmic Phrasing Some General Thoughts about Improvising) The double-CD set presents more than 90 minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on guitar. To demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. To gain insights into the world of Resophonic guitar stylings and performance through interviews with some of the top players. ![]() To indicate some of the underlying relationships between notes, keys, and chords by introducing some basic music theory as it relates specifically to the six-string guitar in G tuning. To catalog many of the licks that are lingua franca in the world of Resonator guitarists. To examine the playing styles and techniques of some of the world's greatest Resonator guitarists. To present an in-depth survey of the styles in which well-rounded lap guitarist should be competent. ![]() This book achieves the following objectives: 1. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. ![]()
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